Choral, Instrumental and Chamber Music Compositions and Arrangements

Welcome to this portfolio of musical compositions and arrangements, and thank you for your interest!
In the right-hand column beneath here you should see an alphabetical list of works. You can also choose a list of works with a particular label. Alternatively, you can search for a keyword. (Transcriptions and unpublishable works are listed in a page linked at the bottom, if you are interested.) The files here are all freely available. They do carry copyright, but feel free to adapt and/or perform them as you wish, as long as you print/acknowledge the originator (me!) It is always nice to hear from you if you use any of these compositions and arrangements (my email: philiplebas@gmail.com), but this is not a requirement. My main hope, as for many composers, is simply that the works are performed and appreciated. Happy music-making!
Philip

Key to linked files:
pdf = printed score or parts
mp3 = sound file
midi = midi sound file
mxl = compressed MusicXML source file
sib = Sibelius source file, mostly in Sibelius 8 or Sibelius Ultimate format
sib 6 = Sibelius version 6 source file

For access to many of these works via a commercial publisher, go to SheetMusicPlus/published-by-Philip-Le Bas
or SheetMusicDirect.com/en-US/Search.aspx?query=Philip Le Bas
For a complete list of choral works of mine with links to YouTube video scores click here: Choral works spreadsheet.
For my YouTube Channel click here: @philiplebas.

A British Tar (Gilbert & Sullivan)

Scoring: TTBB barbershop quartet

Date: 2024

"A British Tar" is one of the most popular songs from Gilbert and Sullivan's operetta "HMS Pinafore", and it deserves to be sung more widely. Here it is arranged for unaccompanied barbershop quartet from the original trio plus orchestra/piano. In the operetta the song is supposedly composed by Sir Joseph Porter, First Lord of the Admiralty, "to encourage independence of thought and action in the lower branches of the service [the Navy], and to teach the principle that a British sailor is any man's equal." It should be sung with as much mock pomp as can be mustered, and I suggest that in bars 10 to 16 and again bars 42 to 48 the first bass singer(s) should (especially when singing to a foreign audience) clearly indicate which part of the sailor's body is being referred to!

Links: pdf - mp3 midi mxl sib sib 6



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