Choral, Instrumental and Chamber Music Compositions and Arrangements

Welcome to this portfolio of musical compositions and arrangements, and thank you for your interest!
In the right-hand column beneath here you should see an alphabetical list of works. You can also choose a list of works with a particular label. Alternatively, you can search for a keyword. (Transcriptions and unpublishable works are listed in a page linked at the bottom, if you are interested.) The files here are all freely available. They do carry copyright, but feel free to adapt and/or perform them as you wish, as long as you print/acknowledge the originator (me!) It is always nice to hear from you if you use any of these compositions and arrangements (my email: philiplebas@gmail.com), but this is not a requirement. My main hope, as for many composers, is simply that the works are performed and appreciated. Happy music-making!
Philip

Key to linked files:
pdf = printed score or parts
mp3 = sound file
midi = midi sound file
mxl = compressed MusicXML source file
sib = Sibelius source file, mostly in Sibelius 8 or Sibelius Ultimate format
sib 6 = Sibelius version 6 source file

For access to many of these works via a commercial publisher, go to SheetMusicPlus/published-by-Philip-Le Bas.

Early One Morning

Scoring: TTBB choir a cappella
Date: 2017/revised 2024
"Early One Morning" is a simple arrangement for TTBB barbershop chorus of the well known folk song. Although its subject is sad and full of melancholy, it should not be sung too slowly, but with simplicity and compassion.
Links: pdf mp3 midi mxl sib - sib 6
Words:
1.
Early one morning, just as the sun was rising,
I heard a young maid sing in the valley below.
Oh, don't deceive me, oh, never leave me.
How could you use a poor maiden so?

2.
Remember the vows that you made to your Mary.
Remember the bow'r where you vowed to be true.
Oh, don't deceive me, oh, never leave me.
How could you use a poor maiden so?

3.
Oh, gay is the garland and fresh are the roses
I've culled from the garden to place upon thy brow.
Oh, don't deceive me, oh, never leave me.
How could you use a poor maiden so?

4.
Thus sang the poor maiden, her sorrows bewailing.
Thus sang the poor maid in the valley below.
Oh, don't deceive me, oh, never leave me.
How could you use a poor maiden so?

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