Choral, Instrumental and Chamber Music Compositions and Arrangements

Welcome to this portfolio of musical compositions and arrangements, and thank you for your interest!
In the right-hand column beneath here you should see an alphabetical list of works. You can also choose a list of works with a particular label. Alternatively, you can search for a keyword. (Transcriptions and unpublishable works are listed in a page linked at the bottom, if you are interested.) The files here are all freely available. They do carry copyright, but feel free to adapt and/or perform them as you wish, as long as you print/acknowledge the originator (me!) It is always nice to hear from you if you use any of these compositions and arrangements (my email: philiplebas@gmail.com), but this is not a requirement. My main hope, as for many composers, is simply that the works are performed and appreciated. Happy music-making!
Philip

Key to linked files:
pdf = printed score or parts
mp3 = sound file
midi = midi sound file
mxl = compressed MusicXML source file
sib = Sibelius source file, mostly in Sibelius 8 or Sibelius Ultimate format
sib 6 = Sibelius version 6 source file

For access to many of these works via a commercial publisher, go to SheetMusicPlus/published-by-Philip-Le Bas
or SheetMusicDirect.com/en-US/Search.aspx?query=Philip Le Bas
For a complete list of choral works of mine with links to YouTube video scores click here: Choral works spreadsheet.
For my YouTube Channel click here: @philiplebas.

Romanian Folk Dances (Bartok)

Scoring: Wind decet plus optional double bass

Date: 2025

These six or seven (the last two are often considered to be just one) folk dances from Romania were originally composed by Bela Bartok in 1915 for piano solo. They have been extremely popular ever since perhaps in part because, despite each being so short (about one minute), they do seem to create a wonderful linear progression, with the last few increasing gradually in tempo until the brilliant ending of the final dance. They are also extremely attractive melodies.

This arrangement which derives principally from Bartok's subsequent chamber orchestra version tries to maintain and enhance the different colour of each dance by using the different instruments of the wind decet in a variety of ways. The piccolo clearly has a starring roll in the third movement (as Bartok himself scored it), but also swapping the melody between first and second of a particular instrument (e.g. 1st and 2nd oboe) can create a new texture to a repeated musical line. I hope players and listeneners alike will enjoy its kaleidoscope of sounds.

Links: pdf (score) - pdf (parts) - mp3 - midi - mxl - sib - sib 6



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