Scoring: Wind decet, double bass and optional percussion in the last movement (13 minutes)
Choral, Instrumental and Chamber Music Compositions and Arrangements

Welcome to this portfolio of musical compositions and arrangements, and thank you for your interest!
In the right-hand column beneath here you should see an alphabetical list of works. You can also choose a list of works with a particular label. Alternatively, you can search for a keyword. (Transcriptions and unpublishable works are listed in a page linked at the bottom, if you are interested.) The files here are all freely available. They do carry copyright, but feel free to adapt and/or perform them as you wish, as long as you print/acknowledge the originator (me!) It is always nice to hear from you if you use any of these compositions and arrangements (my email: philiplebas@gmail.com), but this is not a requirement. My main hope, as for many composers, is simply that the works are performed and appreciated. Happy music-making!Philip
Key to linked files:
Key to linked files:
pdf = printed score or parts
mp3 = sound file
midi = midi sound file
mxl = compressed MusicXML source file
sib = Sibelius source file, mostly in Sibelius 8 or Sibelius Ultimate format
mp3 = sound file
midi = midi sound file
mxl = compressed MusicXML source file
sib = Sibelius source file, mostly in Sibelius 8 or Sibelius Ultimate format
sib 6 = Sibelius version 6 source file
For access to many of these works via a commercial publisher, go to SheetMusicPlus/published-by-Philip-Le Bas
or SheetMusicDirect.com/en-US/Search.aspx?query=Philip Le Bas
For a complete list of choral works of mine with links to YouTube video scores click here: Choral works spreadsheet.
For my YouTube Channel click here: @philiplebas.
Showing posts with label band. Show all posts
Showing posts with label band. Show all posts
La Boutique Fantasque (Rossini/Repighi)
Date: 2022
Another wind decet arrangement, this time of "La Boutique Fantasque" ("The Fantastic Toyshop") by Rossini and orchestrated by Respighi. Actually, "fantasque" in French means fanciful, whimsical or even magical, and the original score is a wonderful set of pieces forming a ballet concerning a toyshop owner who creates cleverly dancing puppets/dolls. In this arrangement five sections are chosen to make a chamber suite:
1) Overture
2) Mazurka
3) Tarentella
4) Pastorale
5) Can-Can
The ballet is full of fun, ending with the puppets seeing off custoers who want to separate two of the Can-Can dancers who are in love with each other. Think toyshop and you will understand the marching soldiers of the Overture, the dancing dolls of the Mazurka, the hide-and-seek chases of the Tarentella (originally a dance to ward off the tarantula), the cuddly warmth of the Pastorale, and the craziness of the Can-Can!
Optional percussion (triangle, plus anything that can be bashed) has here been scored in the final movement to add to the general riotousness...
Pavane pour une Infante Defunte
An arrangement for double wind quintet and double bass of Ravel's short masterpiece, originally for piano and then - brilliantly - orchestrated by him. However, Ravel's horn part presenting the melody at the start is notoriously high and exposed, so I have taken the liberty of giving this to the oboe, instead. His oboe part, in turn, is very low and exposed in places, and I have taken the opportunity to rescore this and many other parts. Not that I claim to be improving on the master's orchestration, but simply in order to make this beautifully simple piece more accessible, without losing its almost universal appeal!
Scoring: Wind decet and double bass
Noah's Ark
Sections of a melodrama for narrator and chamber orchestra
(currently being composed - August 2020)
"Noah"
Scoring: Chamber orchestra
Prelude and Mazurka (Delibes)
Scoring: Wind decet and double bass, plus percussion
Composer: Leo Delibes
Date: 2019
An arrangement of the Prelude and Mazurka from Leo Delibes' ballet music "Coppelia".
Composer: Leo Delibes
Date: 2019
An arrangement of the Prelude and Mazurka from Leo Delibes' ballet music "Coppelia".
Links: pdf (score) - pdf (parts) - mp3 - midi - mxl - sib - sib 6
A Child is Born in Bethlehem
Scoring: SATB choir and West Gallery Band
Date: 2017
A simple arrangement of Samuel Scheidt's Christmas carol "A Child is Born in Bethlehem" for SATB choir and a group of instruments (here: flute, violin, clarinet in Bb, bassoon), originally written for double SATB chorus.
Links: pdf - mp3 - midi - mxl - sib
Date: 2017
A simple arrangement of Samuel Scheidt's Christmas carol "A Child is Born in Bethlehem" for SATB choir and a group of instruments (here: flute, violin, clarinet in Bb, bassoon), originally written for double SATB chorus.
Links: pdf - mp3 - midi - mxl - sib
The Lord at First did Adam make (2 versions)
Version 1:
Scoring: SABar choir and organ
Date: 2021
An arrangement of the traditional Christmas Carol "The Lord at first did Adam make" for three-part (SABar) choir and organ.
This ancient carol tells the story of the fall of Adam, causing humanity to be "wrapt in sin". Yet out of God's goodness we are redeemed by the birth of Christ. The listeners are exhorted to "begin an holy life to live, and to rejoice and merry be, for this is Christmas Eve."
The version presented here is intended for parish choirs lacking in tenor and bass singers, but with a good organ! It starts in a primeval way with open fifths in the organ part, developing into a minor key feel throughout the verses, but with a decidedly more positive feel in G major in each of the refrains. The accompaniment expresses the drama expressed in the lyrics without the choral parts becoming too involved, and the whole piece (4 1/2 minutes) ends on a celebratory Tierce de Picardy: "for this is Christmas Eve!"
Version 2:
Scoring: SATB choir and West Gallery Band (flute, violin, clarinet, bassoon)Date: 2018
Another arrangement of the traditional Christmas Carol "The Lord at first did Adam make". It is scored for SATB choir and "West Gallery Band", of the kind that existed before organs became ubiquitous in English parish churches, i.e. for a number of instruments, although which instruments depends on the ones that are available. As in this arrangement, these often included violins, flutes and bassoons. The fourth instrument in this arrangement is the clarinet.
Links: pdf - mp3 - midi - mxl - sib
Words:
1. The Lord at first did Adam make
Out of the dust and clay,
And in his nostrils breathed life,
E'en as the Scriptures day.
And then in Eden's Paradise
He placed him to dwell,
That he within it should remain
To dress and keep it well.
Out of the dust and clay,
And in his nostrils breathed life,
E'en as the Scriptures day.
And then in Eden's Paradise
He placed him to dwell,
That he within it should remain
To dress and keep it well.
R. Now let good Christians all begin
An holy life to live,
And to rejoice and merry be,
For this is Christmas Eve.
An holy life to live,
And to rejoice and merry be,
For this is Christmas Eve.
2. And thus within the garden he
Was set therein to stay,
And in commandment unto him
These words the Lord did say:
"The fruit which in the garden grows
To thee shall be for meat,
Except the tree in the midst thereof,
Of which thou shalt not eat."
Was set therein to stay,
And in commandment unto him
These words the Lord did say:
"The fruit which in the garden grows
To thee shall be for meat,
Except the tree in the midst thereof,
Of which thou shalt not eat."
R.
3. "For in the day that thou shalt it touch,
Or dost to it come nigh;
If so thou do but eat thereof
Then surely thou shalt die."
But Adam he did take no heed
Unto that only thing,
But did transgress God's holy law,
And so was wrapt in sin.
Or dost to it come nigh;
If so thou do but eat thereof
Then surely thou shalt die."
But Adam he did take no heed
Unto that only thing,
But did transgress God's holy law,
And so was wrapt in sin.
R.
4. Now mark the goodness of the Lord
Which he for mankind bore,
His mercy soon he did extend,
Lost man for to restore;
And then for to redeem our souls
From death and hellish thrall,
He said his own dear son should be
The Saviour of us all.
Which he for mankind bore,
His mercy soon he did extend,
Lost man for to restore;
And then for to redeem our souls
From death and hellish thrall,
He said his own dear son should be
The Saviour of us all.
R.
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