Choral, Instrumental and Chamber Music Compositions and Arrangements

Welcome to this portfolio of musical compositions and arrangements, and thank you for your interest!
In the right-hand column beneath here you should see an alphabetical list of works. You can also choose a list of works with a particular label. Alternatively, you can search for a keyword. (Transcriptions and unpublishable works are listed in a page linked at the bottom, if you are interested.) The files here are all freely available. They do carry copyright, but feel free to adapt and/or perform them as you wish, as long as you print/acknowledge the originator (me!) It is always nice to hear from you if you use any of these compositions and arrangements (my email: philiplebas@gmail.com), but this is not a requirement. My main hope, as for many composers, is simply that the works are performed and appreciated. Happy music-making!
Philip

Key to linked files:
pdf = printed score or parts
mp3 = sound file
midi = midi sound file
mxl = compressed MusicXML source file
sib = Sibelius source file, mostly in Sibelius 8 or Sibelius Ultimate format
sib 6 = Sibelius version 6 source file

For access to many of these works via a commercial publisher, go to SheetMusicPlus/published-by-Philip-Le Bas.

Early One Morning

Scoring: TTBB choir a cappella
Date: 2017/revised 2024
"Early One Morning" is a simple arrangement for TTBB barbershop chorus of the well known folk song. Although its subject is sad and full of melancholy, it should not be sung too slowly, but with simplicity and compassion.
Links: pdf mp3 midi mxl sib - sib 6
Words:
1.
Early one morning, just as the sun was rising,
I heard a young maid sing in the valley below.
Oh, don't deceive me, oh, never leave me.
How could you use a poor maiden so?

2.
Remember the vows that you made to your Mary.
Remember the bow'r where you vowed to be true.
Oh, don't deceive me, oh, never leave me.
How could you use a poor maiden so?

3.
Oh, gay is the garland and fresh are the roses
I've culled from the garden to place upon thy brow.
Oh, don't deceive me, oh, never leave me.
How could you use a poor maiden so?

4.
Thus sang the poor maiden, her sorrows bewailing.
Thus sang the poor maid in the valley below.
Oh, don't deceive me, oh, never leave me.
How could you use a poor maiden so?

Drop, drop, slow tears

Scoring: SATB choir and organ
Date: 2021 (updated 2023)
Five (now seven!) years on from the original version of my "Drop, drop, slow tears" (see below), here is a major revision of the piece adding an important organ part and expanding the whole piece slightly. I am hoping it now has added drama! 
With thanks to members of the Morley College Composition Workshop, and especially to Dr Paul Sarcich, for their input and ideas on this piece.
Links: pdf mp3 - midi mxl sib - sib 6


Or see it on YouTube: https://youtu.be/pBaWpNsaUYw
  

Scoring: SATB choir a cappella
Date: 2016
A short setting of the classic words of the Jacobean poet Phineas Fletcher. This passionate poem expresses heartfelt regret and penitential remorse for sin. It was most famously set to music as a hymn by Orlando Gibbons and more recently as an anthem by William Walton. This new anthem for SATB choir tries to capture in a more modern way the drama and depth of the words, while retaining a simplicity that enables it to be sung by a church choir. It is particularly suitable for Holy Week services or more generally in Advent and Lent. It might also be sung at Remembrance services.
Links: pdf mp3 midi mxl sib


Words:

Drop, drop, slow tears,
And bathe those beauteous feet
Which brought from Heaven
The news and Prince of Peace.

Cease not, wet eyes,
His mercy to entreat;
To cry for vengeance
Sin doth never cease.

In your deep floods
Drown all my faults and fears;
Nor let His eye
See sin, but through my tears.

Yuki-Onna, an orchestral ghost story

Scoring: Full Orchestra (10 minutes)

Revised version: 2022 (edited August 2023)

This short orchestral ballad arose from incidental music scored for solo piano (also on this website) to accompany the Japanese folk tale/ghost story "Yuki-Onna" (meaning "Snow Woman"), as part of a melodrama project initiated at Morley College, London, 2019.
The orchestration is somewhat cinematic and it aims to paint a vivid picture of the drama unfolding in the story. See below for the synopsis.

The premiere of this work took place on Sunday 6th November 2022 in the Assembly Hall Theatre, Tunbridge Wells, Kent, UK, performed by the Royal Tunbridge Wells Symphony Orchestra conducted by George Vass.

It will be performed again by the Maidstone Symphony Orchestra conducted by Brian Wright at Mote Hall, Maidstone Leisure Centre, on 18th May 2024 at 7.30 pm (https://www.mso.org.uk/#Concerts).





To see a video score on YouTube see: https://youtu.be/0b85C8TDtkk
For a 60 second taster see: https://youtu.be/DQWBEyqG7Fs


Original version: 2019/2020

Links: 
pdf (score) - pdf (parts)
mp3 midi mxl sib - sib 6



See https://plbmusic.blogspot.com/2019/02/yuki-onna.html for the earlier piano version.

Synopsis of the tale of "Yuki-Onna" ("Snow-Woman")

Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snowstorm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. Eventually she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a handsome young man. If you ever tell anybody what you have seen, however, I will kill you too.” And she vanishes into the snowstorm. It is then that Minokichi discovers his master dead on the floor of the hut. 

Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.” Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snowstorm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally screams: “It was me, it was me… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; if ever they have reason to complain of you, I will treat you as you deserve!” While she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiralling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.


The orchestral score developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Things”, a collection that has been highly influential in expressing popular Japanese culture over the past century.

In the Monastery (Borodin)

Scoring: wind sextet - flute, oboe, clarinet in A, horn in F, bass clarinet, contrabassoon

Date: 2023

An arrangement of the first number in Alexander Borodin's "Petite Suite" for piano solo, entitled "In the Monastery", for wind sextet, including a contrabassoon in place of the bassoon. This is an exquisite little piece capturing the deep solemnity and awe of a Russian Orthodox monastery. The arrangement is an experiment in unusual instrumentation of an unusual piece!

Links: pdf (score) - pdf (parts) - mp3 - midi - mxl - sib - sib 6



Flower Duet (Delibes)

Scoring: 2 flutes, 2 clarinets in A, 1 bassoon, optional double bass

Date: 2023

The lovely "Flower Duet" from Delibes' "Lakmé" is here arranged for small wind ensemble (2 flutes, 2 clarinets, 1 bassoon) and (optional) double bass. A solo clarinet opens the original singer's introduction, but it is the two flutes who take over the well-known duet melody (particularly after decades of BA adverts) for the rest of the short piece. Careful attention to the dynamic markings (especially the ppp accompaniment at the end) should make this a special moment in any chamber concert.

Links: pdf (score) - pdf (parts)mp3 - midi - mxl - sib - sib 6



The Pond

Scoring: Piano solo

Date: 2023

A three-minute piano solo inspired by the classic Japanese haiku by Matsuo Basho (1644-1694):

Furu ike ya
kawasu tobikomu
mizu no oto
("Old pond;
frog jumps in;
sound of water.")

The world is here experienced through the senses of the frog! In the extended initial section of the piece the ancient pond's ripples and shimmering reflections in the water are heard, creating an atmosphere of deep calm and quiet meditation. After a while the frog begins its preparation for jumping: barely detectable vibrations become more and more apparent within the pond's ongoing ripples. Suddenly the frog tenses its muscles and leaps into the air. After a moment of expectant silence the frog hits the water with an enormous splash. The displaced water then also rises up and crashes down in a cascade of colour and noise. It takes some time for the sound of the upheaval to dissipate, but eventually the familiar ripples become apparent once again and the pond returns to its original serenity and timelessness.

This composition is intended to be relatively easy to perform. It was written in response to a challenge set by Haruko Seki at Morley College, London, to write a piece based on a haiku for her piano students in Japan. My thanks go to her for suggesting it!

Links: pdf - mp3 - midi mxl sib sib 6

N.B. This computer-generated video and the mp3 sound file are only approximate!

Nutcracker Mini-Suite (Tchaikovsky)

Scoring: Wind decet and double bass

Date: 2023

An arrangement of five movements from Tchaikovsky's ever-popular "Nutcracker" ballet for double wind quintet (decet) and double bass with optional percussion (cymbals, tambourine, triangle - one player):

1. March
2. Dance of the Sugar Plum Fairy
3. Russian Dance: Trepak
4. Chinese Dance
5. Waltz of the Flowers

Links: pdf (score) - pdf (parts)mp3 midi - mxl - sib - sib 6